Jacques-Louis David, France Neoclassicism painter, b.1748 - d.1835. Jacques-Louis David is famous for his huge, dramatic canvasses of Napoleon and other historical figures, including Oath of the Horatii (1784), Death of Marat (1793) and The Sabine Women (1799). Early in his career he was a leader in the neoclassical movement; later his subjects became more modern and political. David was himself active in the French Revolution as a supporter of Robespierre and is sometimes called the chief propagandist for the Revolution; after the Reign of Terror ended he was briefly imprisoned for his actions. When Napoleon took power David became his court painter and created several grand canvasses of the Emperor, including the heroic Napoleon Bonaparte Crossing the Alps (1801) and the enormous Coronation of Napoleon and Josephine (1807). Related Paintings of Jacques-Louis David :. | The Anger of Achilles Stair Sainty Gallery | napoleon bonaparte korsar alperna | andromache mourning hector (mk02) | Count Potocki | Louis David Portrait Of A Young Woman In A Turban | Related Artists:
Jules Breton1827-1906
French Jules Breton Locations
French painter and writer. After the death of his mother he was brought up in the village of Courrires by his father, grandmother and uncle. The last instilled in him respect for tradition and a commitment to the philosophical ideas of the 18th century. Breton father, as supervisor of the lands of the Duc de Duras, encouraged him to develop a deep knowledge of and affection for his native region and its heritage, which remained central to his art.
willi baumeisterWilli Baumeister (January 22, 1889 ?C August 31, 1955) was a German painter, scenic designer, art professor, and typographer.
Willi Baumeister, born in Stuttgart in 1889, completed an apprenticeship as a decorative painter in his native city from 1905 to 1907, followed by military service (fall 1907?C1908). Even during his apprenticeship, Baumeister had already commenced his art studies at the Stuttgart Art Academy (Königlich Werttembergische Akademie) (1905?C1906), attended Robert Poetzelbergers drawing class, and took additional lessons from Josef Kerschensteiner. In 1906 he resumed his apprenticeship and, in 1907, completed the trade test.
Following his military service, Baumeister continued his studies at the art academy. Dismissed by his teacher Poetzelberger due to lack of talent, he switched into the composition class of Adolf Holzel, with whom he studied until 1912, where he met his life-long friend, Oskar Schlemmer. Baumeister took his first trip to Paris in 1911, successfully participated in a gallery exhibition in Zurich in 1912 and a year later participated in Der Erste Deutsche Herbstsalon (The First German Autumn Salon) in the Berlin gallery Der Sturm. There he met the expressionist painter Franz Marc. In 1914 Baumeister had his first solo exhibition at Der Neue Kunstsalon (New Art Salon) in Stuttgart. In the same year, Adolf Hölzel arranged a commission for wall paintings at the Deutsche Werkbund-Ausstellung (German Werkbund Exhibition) in Cologne for Baumeister, Schlemmer, and Herman Stenner. Prior to being drafted into the army in the summer of 1914 (until 1918), Baumeister travelled to Amsterdam, London, and Paris. Even during the war, Baumeister met the painter Oskar Kokoschka and the architect Adolf Loos in Vienna in 1915. In 1916 he participated in the exhibition Hölzel und sein Kreis (Hölzel and his Circle) at the Art Association in Freiburg im Breisgau, which was subsequently shown at the Ludwig Schames Art Salon in Frankfurt am Main. In 1918, still prior to being discharged from military service, he threw an exhibition with his friend Oskar Schlemmer at the Galerie Schaller in Stuttgart. Baumeister and Schlemmer campaigned to bring Paul Klee to the Stuttgart Academy, which was rejected by the Academy. Klee, in his part, however, would have been willing to come. In 1919 Baumeister became a member of the Berlin artist association Novembergruppe (November Group). The group was founded by Max Pechstein in 1918, immediately following Germanys capitulation and the fall of the monarchy. It remained one the most important alliances of German artists until 1933.
In Stuttgart in 1919, Baumeister took up the initiative with Schlemmer and other artists to found the artist group Üecht (Alemannic: genuine, true), which he left in 1921. In 1919 he produced his first stage design, which was followed by seventeen others. In 1920 Baumeister completed his art studies, worked as an independent artist, and participated in exhibitions in Berlin, Dresden, and Hagen. His popularity and recognition abroad became evident in a joint exhibition with Fernand Leger in the Berlin gallery Der Sturm in 1922. During these years, Baumeister developed professional relationships with artists such as Paul Klee, Leger, Le Corbusier, Amedee Ozenfant, and Michel Seuphor. In 1924 several of his works were shown at the Erste Allgemeine Deutsche Kunstausstellung (First General German Art Exhibition) in Moscow and, in 1925, he participated in the Paris exhibition L'Art deaujourdehui (Art Today). Alongside his artistic work, he was also active in the area of commercial art and designed advertisements for numerous companies, such as Bosch and DLW (Deutsche Linoleumwerke)
William Dyce1806-1864
Scottish painter, educationalist, theorist and designer. The son of a lecturer in medicine at Marischal College, Aberdeen, he studied medicine and theology, obtaining his Master's degree in 1823. Episcopalian by upbringing, Dyce was expected, like his cousin, the scholar and bibliophile Alexander Dyce (1798-1869), to proceed to Oxford to take orders. His early interest in art found an outlet in portraiture, his first commission being Sir James M. D. M'Grigor (1823; U. Aberdeen). His first attempt at history painting, The Infant Hercules Strangling the Serpents sent by Juno to Destroy Him (1824; Edinburgh, N.G.), much influenced by Reynolds, was shown to Sir Thomas Lawrence, who is said to have encouraged Dyce to enter the Royal Academy Schools in 1825. After a few months he set off for Rome in the company of Alexander Day;